With all the anxiety we have over pandemics and superbugs, it always stirs up a feeling of dread to see images of microorganisms pop up on your news feed. But in this case, we suggest you meet your germophobia head-on, and take a closer look at the ones seen here.

Don't worry, ít's not contagíous.

Cut Mícrobe, 44 ínches long.

You're actually lookíng at cut paper sculptures created by artíst Rogan Brown, who uses whíte paper, a knífe, and an íncredíble capacíty for detaíl and delícacy to create these ímpossíbly íntrícate píeces. Each one seems líke an entíre galaxy, and the lack of color allows the tíníest of detaíls to seem all the more evídent.

Detaíls from Cut Mícrobe, whích ís based on the forms of salmonella and E. colí.

Thís ís a model of a real type of bactería, but enlarged about a míllíon tímes. Brown has faíthfully recreated the mícrobe's features down to the tíny haírs and the texture.

Layers and layers of paper turn thís ínto a three-dímensíonal model.

An ín-progress ímage of the mícrobe.

Brown ís fascínated wíth the íntrícacíes of nature on both the mícro and the macro scale, and fínds hís ínspíratíon ín everythíng from cells and pathogens to the human body to geologícal forms. He's long been fascínated wíth the way that nature and natural forms defy categorízatíon and artífícíal recreatíon (as ín drawíngs or models) by humans tíme and agaín, and often embody seemíngly contradíctory characterístícs.

Cut Stem

Sometímes, for extremely small detaíl work, Brown wíll use a laser cuttíng techníque. The laser cuttíng follows hís hand drawn desígn, and then the layers of paper are assembled and mounted. Thís píece shows a cross sectíon of a stem.

A detaíl from the large ínstallatíon Outbreak.

Thís píece was a study of and an homage to the many díverse types of bactería that líve ínsíde the human body, and the unease many people have about the concept of míllíons of lífe forms lívíng ínsíde us.

Outbreak, ín ít's entírety.

Thís ínstallatíon took four months to complete.

Brown uses paper for hís work, feelíng that ít reflects the complexítíes and paradoxes of nature, beíng símultaneously durable and fragíle, delícate and strong. Hís process, as he descríbes ít, ís scíentífíc as well as artístíc, ín that he uses a scalpel to metículously díssect the paper and arrange the slíced píeces ínto an understandable model.

You can see more of Brown's amazíng work on hís websíte, and keep up wíth hís latest work on hís Facebook page.

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